The book starts with Clough reliving the challenge with Bury’s goalkeeper on Boxing Day 1962 that at the time looked like it had ended the career of the bright young Centre Forward. We all know now that it started it but the book questions rightly, how much the injury affected Clough himself and whether it gave an already fully functioning ego the necessary drive and force of will to make him the man he became. There is something to this as everybody remembers the great manager but Peace, and interview evidence backing him up, that Clough always saw himself as an injured player, always recovering, never retired. Maybe it was easier to bollock an out of form striker if the manager truly believed that he could replace him.
It’s an incredible story from any time period. The top manager in the country, between posts after leaving
The book takes no prisoners in its depictions of the intransigent Billy Bremner and scheming Johnny Giles – the Lords of the Manor who didn’t take kindly to the new Sheriff. Even Peter Taylor, Clough’s closest partner and right hand, comes over as a craven mixture of Phil Neal, Graham Taylor and David Pleat. Portrayed as a money-obsessed apologist, half in love with the main man and unable to function solo. The fact that
Their careers at Middlesbrough are only mentioned in passing as the action flits back and forth between Clough’s rise with Derby, the one, true loves of his footballing life, and his constant travails in picking up the reins of Revie’s team.
The ghost of Revie haunts Clough through the corridors of
Their relationship reminded me of Salieri and Mozart in Amadeus. The proficient and gifted prodigy effortlessly eclipsing the competent, professional mentor. The twist being that here, Clough is the prodigy is obsessed with destroying and surpassing Revie with his own team.
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